女性瘾者：第一部

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　民国年间，张千月（杨坤锐饰）新婚之后进省城投奔同乡王明堂（李运佳饰），不成想晚上房间内发现床下有一个死尸，大批警察带走了旅社老板宋成安（周舟饰）、老板娘翠姐（黄娟饰）、住客顾满仓（王渊饰）、孙兴福（王正佳饰）、梁程思（刘锦饰）、门房老胡（季李饰）及房间内的张千月与王明堂。乡下的新婚妻子白秀英（何乙轩饰）与老父亲张广林赶至省城听审，老父亲接受不了这个严重的打击气绝身亡。这里面有不可告人的秘密。传说冤魂索命，这个事情不简单。一间旅馆、一个女尸、一群平民引发了一个意料之外的故事，展现了民国时期，灰暗的年代，军阀割据，官匪勾结，生活在社会底层的各种普通百姓，挣扎在水深火热之中，各种生活的无奈与社会现实的交织，人为了生存所做的一切挣扎.....一个投亲的少女灵芝（张依珂饰）引发了当地恶霸朱天久（李延饰）皮三（边防饰）残忍杀戮，牵扯无辜百姓，勾结当地警长康大鹏（周小鹏饰）利用贪官（高果饰）歪曲事实，残害无辜百姓，法官（常征饰）（杜伯饰）命悬一线。关联人李婉儿（李一明饰）四散逃命，江湖骗子（孔庆三饰）浑水摸鱼。更牵动大批爱国志士（许诺饰）（张玥饰）刺杀大帅庞金龙（张京海饰）督军孙连胜（吕一丁）为百姓申冤报仇！这一切的来龙去脉都由一名说书人（徐福来饰）娓娓道来。

　　《科学怪人的诅咒》（The Curse of Frankenstein），又译作《神秘怪尸》，是1957年英国的一部恐怖片，由咸马公司出品。本片基于玛丽·雪莱的同名小说《科学怪人》。本片也是咸马公司的首部彩色电影，影片出品后得到成功并制作了多部续篇，并建立了有哥特意味的品牌形象。

　　讲述因为楼层噪音相遇的两对夫妻一起吃晚饭发生的故事。