农情蜜意：危险同居关系

　　一个异形在美国流窜，为了得到它想要的，它杀掉所有挡它路的人，并且用他们的身体作为新的藏身之所，它不断追寻的是生命的能量，然而另一个借用了一个死去的FBI探员身体的异形对它紧追不舍，无数无辜的人们在这场追击中丧生

东南亚M国，卧底警员昂基潜伏毒窝查“蓝色天堂”配方，遇退伍特种兵哥登。哥登妻子惨丧毒枭坤沙之手、儿子被掳。二人因正义与复仇联手，闯毒巢、救被拐儿童、斗黑警与毒贩，历经生死终将坤沙团伙击溃。缉毒信念不灭，兄弟情义滚烫，尽显邪不压正的正义力量。

　　因母亲染病，青年李恩洙（千正明 饰）驱车向家中赶去，但中途遭遇车祸，翻到路边。当他从昏迷中醒来时，发现眼前站着一个有如天使般的女孩子（沈恩京 饰）。在这个名叫英姬的女孩的引导下，恩洙随之来到了女孩位于密林深处的家。那是一幢宛如从童话书中出来的梦幻而华美的大房子，家中摆放着各种各样精巧可爱的饰品。这里住着英姬、她的父母、哥哥万福（殷元宰 饰）以及妹妹贞顺（陈智熙 饰）。疲劳疼痛的恩洙起初并未察觉丝毫一样，可是他很快便发现，如此美好的童话所在竟成为永远无法逃离的樊篱……　　本片荣获2009年葡萄牙奇幻国际电影节评委会特别奖。

　　安东尼（马提亚斯·施维赫夫 Matthias Schweighöfer 饰）和保罗（弗洛里安·大卫·弗里茨 Florian David Fitz 饰）是从小玩到大的青梅竹马，两人共同经历了太多的事情，彼此之间的友谊坚不可破。成年之后，他们一起创办了一家公司，这一天，公司觅得了一名非常慷慨的投资人，为了庆祝这件事情，公司里开设了一场盛大的派对，在派对上，玩的兴起的安东尼和保罗决定打一个赌，赌注是公司百分之五十的股份。　　安东尼和保罗交出了身上所有的东西，两人回归到身无分文的状态，然后每一天，他们都可以在他们所拥有的东西里拿回一件，如此往复，看谁能够撑更长的时间，先放弃的人就是输家。

　　妻子鲍一萌是头部带货主播，丈夫宋李是全职丈夫，弟弟鲍鹏在复读备战高考。一天，三人意外发现互换身体。全家的灵魂与身体分别错位。全职丈夫宋李（小舅子身）重回学校，怀念青春中弹琵琶的梦想，但繁重的学习生活，让他感到力不从心。复读生小舅子鲍鹏（妻子身）不懂管理公司，并在直播时状况百出，女神小静的奋斗让他惭愧。主播鲍一萌（丈夫身）在辅导女儿的生活中发现，做家务和带娃并不简单。相比之下，丈夫开明的教育方式仿佛让女儿的成长更美好。一家人决定支持宋李（小舅子身）重拾琵琶参与音乐比赛。深夜，宋李三人被关在冷藏车内被冻得奄奄一息。他们终于换回来了！一家人的生活重新回到正轨，和谐美满。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.